a trickier process than might first appear.
first issue is resin preparation and ensuring the chemistry is in date and thoroughly mixed. decanting into a second container for further mixing is a step i’m keeping in my process as i’ve had issues with incomplete curing even with fresh materials.
my preferred technique for avoiding bubbles is to leave the mixed resin for approx. 10 minutes before pouring – makes a huge difference to large bubbles. the smallest bubbles are less of an issue for me on top of the colours/patterns of the chiyogami papers. i did experiment with a heat gun on top of the fresh pour but if anything it increased bubbling problems. the gun has turned out to be really helpful in evening out accidental dents in nearly-cured pieces.
my final step is to apply the resin with a syringe – it doesn’t deliver a steady stream, rather spurts, but it helps me not to over-pour: each piece takes approx. 4.5 ml to make a nice dome without overspill. i’m getting better at clean-up, but the ideal would always be to pour just right first time.
in development 🙂
moving in unexpected directions. good to be “fine art”ing again 🙂
… sucks, really.
i guess my headline should be: – table fee + (takings + added value from stall upgrade) = profit \o/ but that wouldn’t be honest about my hopes/expectations and the fairly harsh reality.
if i was on a telly talent contest i’m sure i’d explain at length my “passion” for my product, my commitment to learning and transmitting the archaic skills involved in the manufacture of paper and cloth, and their combination into books. i love books, and people who love books love my books.
but selling my books on an open market is a big ask. if i had a flair for sales i prolly wouldn’t spend my time for preference stitching/cutting/spinning/weaving/gluing/dyeing textiles in my own company, to a country & blues soundtrack… i wouldn’t geek out over paper textures and weights… fonts vs typefaces… i wouldn’t need to use every single scrap – eventually…
but, yunno, glass half full 🙂