final submission

i had palpitations when i went into the studio early in the week and saw how much effort everyone was taking to arrange their spaces, final show style. it hadn’t occurred to me that we should be doing anything along those lines. i was still at the making stage, just hoping to have finished work to present and i decided it was a better use of my remaining time to keep working in that direction.

i did make an effort to present my work gallery-style, with mounted statements, separately from the background material/samples. the layout isn’t quite how i envisaged but i hope it encourages the viewer to investigate the work without being overwhelmed by the additional supporting content. the biggest thing bugging me about it is the ugly, ugly black speaker cable running to the radio. on reflection i wish i’d investigated wireless audio setups, but as i had to keep the ipod external for switching on and off it would never be perfect in that respect.

i also attempted to lay out the background work in relation to the final pieces – here you see the radio research behind the work. i wasn’t sure whether it was okay to use a poem (not mine) as my statement for this piece, but it was written by a friend as a response to my initial ideas, a loose kind of collaboration, and it explains the piece much better than i could.

i wanted to present my ideas sheets next to the medal because this is my least complete work and i feel it needs the additional background information to convey the intent of the piece (whereas i feel the intent is visible in the work for my raw & readymade projects, which pleases me immensely). i decided to present the book with the box lid open for the assessment as i didn’t want any confusion over whether the book was supposed to be read or merely looked at.

i decided to go for “less is more” in the way of supporting work, hoping to keep a clean/clear presentation. my sketchbook is particularly bare/poor for the first term raw & readymade brief because i really hadn’t figured how to make the format work for me – i rarely enjoy drawing and the blank page intimidates me. over the year i developed a practice of starting each project with a new, thin, book and using it as a combined sketchbook, journal and sample book. this scrap-book approach is one i’ll continue with as once i’d figured it out it worked really well for me in my field projects.

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